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Critic's Choice Spotlight: Jordan Raup

Critic's Choice Spotlight: Jordan Raup

JORDAN RAUP is the co-founder and editor-in-chief of The Film Stage, a Rotten Tomatoes-approved critic, and the Senior Marketing Manager at Film at Lincoln Center. Track his obsessive film-watching on Letterboxd.

Recently stepping up her scope with Little Joe, Austrian director Jessica Hausner’s previous feature, AMOUR FOU, is her most formally staggering and impressive work. Tackling quite an ambitious, precarious task––how does one depict (and even find humor in) a tale of a suicide pact?––Hausner does so with an exacting, meticulous vision, trapping her characters into the confines of a prescribed life with little room to escape the borders of her frames. In capturing this true story of Heinrich von Kleist and the terminally ill ​​Henriette Vogel, Hausner exhibits a distinct, painterly quality to convey this wholly unique dark romantic comedy.

One of Italian director Nanni Moretti’s greatest achievements is his 1994 Cannes Best Director winner CARO DIARIO. Newly restored, the triptych is bursting with humor, doubling as a gorgeous travelogue throughout locales of his native country. Beginning with Moretti galavanting throughout Rome on his scooter as he ponders about film and culture, culminating in a real-life health scare, this is a movie exuding personality, warmth, and introspection that finds the joy in all things.

One of Austrian master Fritz Lang’s final contributions to cinema was the epic, two-part adventure known as the Indian Epic. Comprised of 1959’s THE TIGER OF ESCHNAPUR and THE INDIAN TOMBh, the double feature marked a return to German productions for the director after a long stint in Hollywood, though exteriors were shot on location in India, evident in the eye-popping Technicolor grandeur on display. Following the love triangle between a German architect, the Indian maharaja he is tasked to build infrastructure for, and a dancer, both films are pure, unadulterated serial fun with no shortage of dazzling setpieces. While “late style” has often been synonymous with a more colorless quandary into the meaning of life, it’s somewhat refreshing to see a director like Lang conclude his career with such an entertaining serial throwback.

A deeply immersive documentary of a city in crisis, David Osit’s MAYOR examines the inner bureaucratic works of Ramallah, the Palestinian city in the central West Bank located mere miles from Jerusalem. Taking a more micro approach than an expansive Federick Wiseman film, we specifically center on the city’s Christian mayor Musa Hadid and his unwavering fight for his people to find a home as the Israeli–Palestinian conflict wages on. As the life-or-death stakes increase due to Israeli forces, MAYOR evolves as a comprehensive, empathetic look at a figure who has given his all in the name of public service.

Diao Yinan followed up his Golden Bear winner BLACK COAL, THIN ICE with another genre outing, the Cannes competition premiere THE WILD GOOSE LAKE. Once again flipping the script on the crime drama, the Chinese director takes a relatively simple gangster on the run plot and adds a universe of stylistic wonder and astounding poetry to his rain-soaked nocturnal odyssey. From unforgettable motorcycle action to haunting images of wildlife, this neo-noir is a prime example of unparalleled formal flair.

Exuding an atmosphere in his work like few others in contemporary cinema, Bertrand Bonello’s ZOMBI CHILD is a slippery, evocative two-hander. Capturing both a Tourneur-inspired journey of a man brought back from the dead in 1962 Haiti and, in the present-day, his granddaughter as she bonds with a group of girls at her Parisian boarding school, the film has the set-up for a run-of-the-mill horror tale. Yet, as one might expect, Bonello doesn’t give into expectations, instead crafting a mood piece that explores colonialism, witchcraft, generational trauma that properly leaves room to reflect on its masterful images rather than trying to suggest answers for the insoluble.

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Critic's Choice Spotlight: Jordan Raup
  • Amour Fou

    Alliance of Women Film Journalists Selection! Read an excerpt from Marilyn Ferdinand's AWFJ review: "The careful framing, gorgeous period settings, brilliantly orchestrated set-pieces, and vibrant colors of this film are a feast for the eyes, and I admired the subtle performances of this uniforml...

  • Caro Diario

    Nanni Moretti recounts three entries from his “diary” in the hilarious and intimate self-reflective comedy CARO DIARIO, which follows the filmmaker’s musing on cinema atop a Vespa, a trip to the Aeolian Islands to work on his new screenplay, and his search for health and wellness after breaking o...

  • Mayor

    MAYOR is a real-life political saga following Musa Hadid, the Christian mayor of Ramallah, during his second term in office. His immediate goals: repave the sidewalks, attract more tourism, and plan the city's Christmas celebrations. His ultimate mission: to end the occupation of Palestine. Rich ...

  • The Tiger of Eschnapur

    This 4K restoration of The Tiger of Eschnapur is presented as it was originally created in 1959. It is a product of its time and contains cultural and racial depictions that viewers may find offensive.

    While traveling to Eschnapur, architect Harald Berger (Paul Hubschmid) crosses paths with Seet...

  • The Indian Tomb

    This 4K restoration of The Indian Tomb is presented as it was originally created in 1959. It is a product of its time and contains cultural and racial depictions that viewers may find offensive.

    After fleeing from Chandra (Walther Reyer), the Maharaja of Eschnapur, the doomed lovers Harald Berge...

  • The Wild Goose Lake

    When small-time mob leader Zhou Zenong (Hu Ge) accidentally kills a cop, a dead-or-alive bounty is placed on his head, forcing him on the lam from both the police as well as dangerous gangsters out for the reward. Hiding out at the Wild Goose Lake, Zhou becomes entangled with a beautiful, enigmat...

  • Zombi Child

    Haiti, 1962. A man is brought back from the dead only to be sent to the living hell of the sugarcane fields. In Paris, 55 years later, at a prestigious all-girls boarding school, Melissa, a Haitian teenager, confesses an old family secret to a group of new friends – never imagining that this stra...